There is a strange consonance between "Mona Lisa" and Malevic's suprematism: both are holograms. More generally. Leonardo was so ahead of his tome (and so misunderstood) to be a man of XXth century. He considered himself an artist, an intellectual, a creative man, like us today, not certainly a craftsman such as was the concept in the XVIth century. Moreover, his main interest was perhaps to find a way to escape from the bidimensionality of the painting, a typical XXth century topic that was not fully perceived in the XVIth century.
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